20th Annual Postcards From the Edge

 January 19-21, 2018 
New York City, NY-US

January 19, 6-8PM - Preview Party
January 20, 10AM-6PM - Benefit Sale
January 21, 12-4PM - Benefit Sale - Buy 2 get 1 FREE!

Postcards From the Edge offers a rare opportunity to acquire original, postcard-sized artwork from internationally renowned and emerging artists for only $85 each. Offered on a first-come, first-served basis, over 1400 works are exhibited anonymously, and the identity of the artist is revealed only after the work is purchased. With the playing field leveled, all participants can take home a piece by a famous artist, or one who's just making their debut in the art world. Nonetheless, collectors walk away with something beautiful, a piece of art they love!

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Support Visual Aids to produce AIDS-focused contemporary art programs and provide supplies, and assistance 
to artists living with HIV/AIDS. Find out more here.



Queering Paradigms IIX

20 - 23 September 2017
University of Vienna, AT

The Queering Paradigms network is dedicated to examining the current state and future challenges of queer studies from a broad trans-disciplinary and polythetic perspective, and by interrogating numerous social, 
political, cultural and academic agendas.

With our conference ‘Fucking Solidarity’, we ask for the possibilities, gains and limits of (our) queer solidarity. 
We want to ‘fuck’ with the idea, the theories, the practices and the art of solidarity, from different angles, different spaces, from and with different groups. Investigating into the erotics of queer solidarity, their drives, and desires behind it we reflect on hegemonies and the possibility for anti-hierarchical or empowerment. 
We are interested in the possibilities of queering existing concepts and practices of solidarity, especially those solidarity approaches towards the post-soviet/post-socialist and postcolonial spaces and their respective inhabitants.

Fucking Solidarity is interested in constructive criticism. We hope to learn about new approaches and ways of solidarity, from queer-feminist, anti-racist, anti-hierarchical, horizontal, inclusive, 
“check-your-privilege”, decolonizing perspectives.

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On the occasion of Queering Paradigms IIX, This Is Now from the Equality project will be shown by Roberta Orlando.



This Is Now

This Is Now

29th July 2017, 19:00 - 03:00 
RainbowHouse, Brussels, B

This Is Now by Roberta Orlando is a collection of media reactions across Europe, highlighting the current situation of the LGBTQI people living in Chechnya, Russia. As on-going selection of published articles and materials, This Is Now aims to keep the attention on what is happening in the Russian region. Without forgetting how LGBTQI individuals and groups have been punished in the past, and how they are still persecuted today in more than 70 countries around the world.

On the occasion of Queer The Bubble, This Is Now will be presented at the RainbowHouse.

 During this event, Queer Stagiaires will raise funds to provide a help to the victims of homophobia in Chechnya and Eastern European countries with support of ILGA-Europe.



The Street Experience

3 - 31 July 2017
Millepiani, Rome, Italy

Documented, represented, or pictures that evoke sensations, stories and relationships in 
contemporary age between the same individuals and shared urban space.

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Roberta Orlando's photography will take part in The Street Experience.


Curious Festival - Words Bare

5th - 26th July 2017 
Gillian Dickinson Gallery, Northern Stage, UK

                                                  Image by Mandy Barker - Sail Creative

Words Bare is an LGBTQ print exhibition which showcases research-gathered comments and experiences the community still face in society today. The posters put LGBTQ social challenges into the limelight, and questions why 
these views are still very present today.

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Glad to support Words Bare, a project by Mandy Barker and Sail Creative.



12th International Conference on the Arts in Society and the Arts in Society Research Network

 2017 Special Focus: Gestures That Matter 

14 - 16 June 2017
The American University of Paris with Pantheon Sorbonne University, Institute ACTE (Arts Créations Théories Esthétiques), CNRS (French National Center of Scientific Research), France

                                                                                                                         Image by The Arts in Society


 Founded in 2000, the Arts in Society Research Network offers an interdisciplinary forum for discussion of the role of the arts in society. It is a place for critical engagement, examination and experimentation, developing ideas that connect the arts to their contexts in the world – on stage, in studios and theaters, in classrooms, in museums and galleries, 
on the streets and in communities.

Gestures That Matter 

Making a gesture involves confronting the unknowable. A gesture is not simply mechanical like a movement, nor is it fully semantic as a sign might be, nor fundamentally intentional like an action must be. The idea of a “gesture” escapes the classical categories of meaning and is never developed as an independent notion. A trait that often characterizes gesture is its ability to use the body as a means to draw evanescent traces. Because a gesture inadvertently creates relation, 
a “milieu” institutes itself within the interstices of being and metamorphoses our quotidian lives. The gesture is often a tool towards the transformation of the self and of the world. André Leroi-Gourhan writes that “the tool is only real in 
the gesture which renders it operative and only exists within a cycle of operativity.” 

Intrinsically inter-corporeal and inter-subjective, the gesture is a “means without end,” in the words of Giorgio Agamben. The gesture is always a form of the intermedial. But when the gesture apprehends its mediality in an honest and noble manner, it becomes an artwork. That is when a gesture “matters.” Whether it emerges in a ritualistic, artistic or technical context, the gesture extends and transmits itself well beyond the duration of its concrete manifestation for both the doer (the actor) or the one doing the observing (the spectator). It is right there that the body draws a simple gesture and aims to show the most rudimentary form, but also the most essential, of that which we call “art.” The gesture shows a clear materiality insofar as it does not disappear as it seems, and it leaves permanent changes in the art world and in within society. That is when gestures “matter,” insofar as they both are important for giving a deep meaning to our lives and inscribe durable transformation in the flux of everyday event. Gestures matter because they are ethically, politically and aesthetically important. Gestures matter because they do not evaporate but shape our lives on the long term.

Barbara Formis
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The Equality project by Roberta Orlando will take part in the Twelfth International Conference on the Arts in Society, 
as part of the Social, Political and Community Agendas in the Arts.

Find out the full program here.